dalebakerdrummer via posterous

(I set this up so I could post to my blog via email and cellphone) 

Are you a Late Bloomer?

Please be encouraged by this fascinating article in the New Yorker by Malcom Gladwell. 

I believe it's never too late to pursue the things that interest you.  I think we all feel that we have to have our life's plan mapped out before we live it, and yet I think the one of the most exciting things is living a life you never knew existed, one that is free from the constraints and expectations of doing what your parents did, or pursuing a passion you never realized you had until something in your life changed. 

I think there is value in finding something that you enjoy doing and then figuring out a way to do it.  You may never make a living from it, but sometimes the pursuit is more important than the money you'll make (or potentially lose) from doing it. 

Life is too short to be afraid of failure.  We learn from our mistakes, and the sooner we can start making them, the sooner we'll gain wisdom and knowledge in our pursuit.  I feel like I've been a late bloomer in a lot of ways.  And for all I know I may still have a few more blooms in me, but until then I'll continue to look for ways to grow where I'm planted (thanks JimiMac for the imagery), and be hopeful that, yes, I will bloom again...or at least not whither and die.
 
"On the road to great achievement, the late bloomer will resemble a failure: while the late bloomer is revising and despairing and changing course and slashing canvases to ribbons after months or years, what he or she produces will look like the kind of thing produced by the artist who will never bloom at all. Prodigies are easy. They advertise their genius from the get-go. Late bloomers are hard. They require forbearance and blind faith. (Let's just be thankful that Cézanne didn't have a guidance counsellor in high school who looked at his primitive sketches and told him to try accounting.)

Whenever we find a late bloomer, we can't but wonder how many others like him or her we have thwarted because we prematurely judged their talents. But we also have to acccept that there's nothing we can do about it. How can we ever know which of the failures will end up blooming?"

"This is the final lesson of the late bloomer: his or her success is highly contingent on the efforts of others."

"Ben could start writing at seven-thirty in the morning because Sharie took their son to day care. He stopped working in the afternoon because that was when he had to pick him up, and then he did the shopping and the household chores. In 1989, they had a second child, a daughter. Fountain was a full-fledged North Dallas stay-at-home dad."

Now on Facebook!

I'm not sure how much I'll be using Facebook, but I've just now edited some settings on my account there.  So for those of you on Facebook...look me up!

Just look for Dale Baker Drummer or check out my page here (hopefully the link will work!)

Caleb Burhans Article

Tonight I signed up for a Twitter account (dalebakadruma) and read some of the "tweets" (is that what you call 'em?) and there was a link in Able's Tweet to this wonderful article about Caleb Burhans.  As I read the article, I thought "Wow, this guy really has a charmed life...he must be doing pretty good for himself..." but then I read the part in the article where it said that him and his wife lived on credit cards when they first moved to NYC.  And then by the end of the article there is this quote:

"When I was in school," he said, "my grandmother asked me what I wanted to do. And I said, 'I'm going to move to New York and freelance.' She said: 'What do you mean? Don't you want to be in an orchestra?' So I said, 'No, I want to live from paycheck to paycheck and not have health insurance.' She was terrified: 'Oh, my God!' And here I am, living paycheck to paycheck and not having health insurance. I'm fulfilling my dream."

Fascinating huh?  I mean on one hand I think it's awesome that he can pursue his passions and eke out a living...but what a precarious living that is.  But of course, he's young, so it may be awhile before he'll need health coverage, and when that time comes I'm sure he'll be able to get a good deal through the church he works at, or through the musicians union.

Oh and another thing...I think it's cool that he gets paid to sing in Church every Sunday.  But I also wonder if the whole choir is paid or if  just particular members (like section leaders, etc.) get paid. 


Songwriting Resources

Occasionally, folks will get in touch with me about helping them with songwriting or production and so as I was putting this list together for a friend I thought I'd just go ahead and post the stuff I found.

These are some resources I already had known about and some I found through a quick Google Search of "online songwriting resources."

American Songwriter Magazine

Taxi (Taxi is basically a song plugging and evaluation service.  I know that they were helpful to Sixpence and our label when we were aiming to get more exposure - look for the interview with Lindsay Fellows - and I personally found their evaluations helpful and encouraging back when I was a member a few years ago. I always thought it'd be fun to attend one of their conventions, but never took advantage of that aspect of being a Taxi member).  Be sure to check out their list of recommended books.  It looks like a pretty good list.

Berklee Online Classes on Songwriting

One of the first books I read on Songwriting (I borrowed it from Lee ? and never returned it.  He had used it in a Songwriting Class at Berklee.  And Lee if you are reading this, drop me a line and I'll send it back to you..)

Nashville Songwriters Association

Search in your area for a Songwriters Association.  I did a few searches and found local groups in Dallas, Atlanta, California, NY, and North Carolina, where I currently live.

A resource for Beginning Songwriters, via MusesMuse.

Song U (online songwriting help and courses)

An easy to read and digest resource that provides an overview of how the music business works:
All You Need to Know about the Music Business

And I remember working with a wonderful songwriter in Nashville who it was rumored used an OmniChord as his main songwriting instrument, and so for those of you who don't play an instrument, I suggest you check out one of these:  the newer version of the OmniChord.

I also like to read the following things online, for encouragement, inspiration, and insight into the songwriting process:

Songwriting Zen
Measure for Measure

And now for the shameless plug:  when you're ready to record your song and all that, I'd love to be your drummer.  Feel free to contact me and we can work something out...


Over the Rhine, circa 2001 (w/ me on drums)

My friend Paul just dropped me an email with details about an Over the Rhine show he found that was recorded during the time I was with the band.  You can find it over at the Internet Archive (which is a wonderful resource...have you seen those educational videos?).

I just finished listening to Moth, and some Christmas song that Kim Taylor sings backgrounds on (featuring me playing jingle bells and drumset at the same time...), and now just finished listening to Latter Days, with my hallacious fill near the end of the song where I tried to play the FATTEST flam ever...some nights I was successful, this night...fairly successful.

Here's the line-up:

Karin Bergquist - sings, occasional acoustic guitar, keyboard on Ohio
Linford Detweiler - keyboards, vocals on Jack's Valentine
Jack Henderson - guitar, vocals on Holy Rain
Wade Jaynes - bass
Dale Baker - drums
Kim Taylor - guest on (+)
Mike Sponarski - sound

It's fun to hear Jack again...man his tone and playing is just awesome...I miss playing with him.  This recording is fun to listen to:  all the meta-data is saved with the songs, so when I imported it into iTunes all the track names and information was imported as well.  Anyway...it's a great recording, with some wonderful Christmas tunes we used to do and a wonderful Kim Taylor song tacked on at the end.

I'm going to try and embed the player so you can listen to it hear off of my site, but if you want to download it here's the link again:  Over the Rhine Concert 12/18/2001




The Future of the Music Business

An interesting article over at Word Magazine, about the economics of the music business and how the future might look for those of us who make music for a living.

"In ten years' time, maybe five, being a pop star will be a profitable profession. Like being a barrister or a consultant. But not like being a juice carton magnate."

And then later:

"Internet clever person Kevin Kelly has written a great essay called 1,000 True Fans. He sets out how a musician (or writer, or artist) should be able to make a comfortable living (say $100,000 a year) if they can offer sufficiently enticing products to a sufficient number of true fans. His maths are fuzzy but his basic argument is sound."

The title of the article is "Why should Rock Stars expect to be Rich?" and is written by Tom Whitwell, the guy who does the Music Thing blog (which is one of my favorite reads on the 'net). 

And finally:

"Today's famous musicians work harder and are paid less, and in the future it'll only get worse. A rock star used to be a demigod who bathed in money each morning. In the future, they'll look with envy on Java programmers or hedge fund managers."

Not sure about the hedge fund managers, but I get the point.

On Sunday: Thad Cockrell

Thad is playing at the Chapel Hill Bible Church on Sunday morning, and I'll be playing that morning as well.  So for now, it looks like I'll be playing with Thad on two of his songs.  Jeff Crawford is playing Bass as well.  It's been awhile since I've seen Thad and I'm looking forward to seeing him again.  I think the last time I saw him I was outside mowing the lawn at my old house and he drove by in his beat up pickup truck and we chatted for a bit.  There was another time we went out to eat and I think I was just getting over the stomach flu and we ate some Pizza that I think made me sick later...(alright that's probably too much info for you...). 

Anyway, it'll be fun to see Thad again, and I always enjoy playing at the Bible Church.  I'm also looking forward to playing with Jim McConnell again and Nat. 

--
Dale Baker
919-402-8048

In lieu of my "Facebook" profile:
www.dalebakerdrummer.com

Drum Hacking...

The other day I took one of my RIMS mounts and mounted it onto my Remo Ashiko Drum (actually I think it's  a 12" Djembe) anyway, it's one of my hand drums and I don't use it a bunch because I don't have a stand for it, so instead of buying another monstrous Djembe stand that takes up a lot of room, I thought I'd put this RIMS mount on it.  So the actual RIMS doesn't go around the drum, so I just took out my drill and decided I'd drill into my drum.  Now I'm able to mount my Ashiko off of a cymbal stand with a tom mount and I'll be more likely to use it in my drum set configurations, either as part of my constantly morphing Emmaus Way setup or as a percussion element to my recording and live drum setups...

My other hack was with this Oriental Tom (the heads are tacked on) that I received from my first drum teacher when he passed away.  This thing has calf heads, and has a real dry sound...not real great with sticks, and marginally okay with brushes or blasticks...I was looking through my stack of drums and saw my never used "Laptop" drum (a single pre-tuned head with a Rhythm Tech "Active" Snare screwed on the bottom.  Yesterday, I took the snare off, and experimented with putting it on my Oriental Tom and ended up using bungee cords to fasten it onto the drum, then I added a part of a broken head that had tambourine jingles affixed to it (wedging it between the bungee cords beneath the drum) and now I have a cool sounding snare drum/ tom type thingy...I still need to tweak the the bungee cord setup, but I think it'll work.  I'll probably try the drum out on Sunday when I play at Emmaus Way (with Jeff Crawford this week!).

And finally my last hack that happened a few months ago...I got my Remo PTS student snare back from Perry (the Prayers and Tears of Arthur Digby Sellers) when he moved to Raleigh, and frankly that thing just sounds awful.  So, I went to work on it.  Eventually settling on wedging a snare beneath the top head, with a towel deadening the head and helping keep the snare tight against the top head.  Then, to add some extra sonic goodness, I put a cheap 10" plastic tambourine inside the drum, and it just sits loosely inside.  So now the drum has a great "beat box snare" sound, with a little bit of jingle depending on how hard you hit it.  It will make a great side snare, or loop drum.  Plus it sounds good with sticks, so I'll be able to use it on gigs where I hit a little harder than normal.  I doubt it will ever be used as a "main" snare, but as a second snare, it sounds pretty cool.  Just a bit louder than my Remo PTS Toy Drum that got a similar treatment.

I hope to get some pics posted...but don't hold your breath it might be a while...

dale

--
Dale Baker
919-402-8048

In lieu of my "Facebook" profile:
www.dalebakerdrummer.com

Worship Conference at Crossroads Fellowship

I'll be speaking at a Leadership Conference at Crossroads Fellowship church in Raleigh, NC on Saturday Oct. 11.  I'll be part of a group of worship leaders and musicians giving instructional workshops on the art of playing in worship bands.  Though the conference is intended to be a ministry to the attendees and members of Crossroads Fellowship, Crossroads Music Pastor told me I could extend the invitation to others through my website, and so here I am doing exactly that. 

If you play in a worship band or are just interested in worship music, or would just like to attend, get in contact via the conference website.  Or you can register online here.  Be sure to mark the "button" that says "Worship Arts Track".  Here is the conference agenda:
  • 8:00-8:40 - Registration/Breakfast
  • 8:40-9:00 - Praise and Worship
  • 9:00-9:30 - Plenary Session - Chuck Milian (Senior Pastor at Crossroads Fellowship)
  • 9:30-9:40 - Break - Move to track sessions - Choose a track and attend it for all 4 sessions
  • Worship Track - Select offerings for following sessions based on your interest - See the Details Page.
    • 9:40-10:40 - Session 1 (Worship Track - Plenary Session in Worship Center)
    • 10:40-10:50 - Break
    • 10:50-11:50 - Session 2
    • 11:50-1:00 - Lunch
    • 1:00-2:00 - Session 3
    • 2:00-2:10 - Break
    • 2:10-3:10 - Session 4
  • 3:10 - Conference Ends

This past summer I felt honored to be chosen to speak at a Youth Arts Camp in southern Kentucky, and had a blast talking about my experiences in the music business and with Sixpence and as an artist who wants to live a life pleasing to God.  I'm honored to get the chance to speak at this conference at Raleigh, and talk about my approach to playing drums for worship services, and my perceptions of the leader and servant roles a drummer provides as part of a worship team.  I enjoy sharing my experience as a drummer, musician and artist and I would love to get the chance to do more conferences of this type. 

For this conference, I'll be teaching a class specifically on drumming for worship, a class with Ken Demery on being a supportive rhythm section player, and then a group session with Adlan Cruz, Ken Demery, Jeremy Porras. I'll also be playing for the Praise and Worship time that will start the day.  It will be a full day of conversation, music and fellowship.  I'm looking forward to it, and I hope to see you there...drop me a note if you plan on coming!


Faded Paper Figures

For me, this is the second coming of The Postal Service at least that's what this band sounds like to me.  As with the Postal Service, from what I've heard so far from this band, the perceived simplicity of the songs and programming make it a joy to listen to, and I love the glitchy and stuttering elements as well.  Still, it has a warmth to it that makes it feel more like a band project and less like uh, hmm...a non-band project.  You know, it doesn't SOUND programmed...anyway...what's that quote?  "Writing about music is like dancing about architecture."  Yeah. What he said.

You may of heard one of the guys from this band already...he wrote the music for a Lexus commercial as part of his day job.  Check out the You Tube clip of the commercial.

And for those of you in Japan...

For now, you can get their record through CD Baby...but I want to wait for the version that has the cool artwork on it from Laura Ljungkvist (she's been commissioned by the band's label in Japan to do all the artwork for the CD).

Thanks goes to my friend (and former roomie) Martin, for bringing Faded Paper Figures to my attention...